George Stubbs’ Cheetah And Stag With Two Indians (1765)

If you happen to be in Manchester with a spare hour or two, do call into its art gallery on Mosley Street where you’ll find a host of interesting paintings, not least of which is Cheetah and Stag with Two Indians by George Stubbs. Stubbs was an English artist, born in Liverpool in 1724 and who moved to York in 1744 to pursue his passion for human anatomy, studying under the surgeon Charles Atkinson at York County Hospital. He was also a natural and entirely self-taught artist, and worked as a portrait painter in York for ten more years, but he would become famous later not for painting human sitters but animal ones, particularly horses (of which his best-known, Whistlejacket, is at the National Gallery in London).

Whistlejacket

By 1764, Stubbs had established a reputation for his anatomically accurate animal paintings, and attracted the attention of the royal court, who had commissioned him, the year before, to paint Queen Charlotte’s South African zebra. He was, then, the obvious choice when a certain outgoing Governor General of Madras, Sir George Pigot, arrived back in London with a menagerie of “wild beasts and curiosities” as gifts for King George III, and was looking for an artist to paint a portrait of the most exotic of those gifts, a magnificent cheetah.

Easily tamed and trained, cheetahs had been used as hunting animals by the Mogul Emperors for hundreds of years. In that spirit, the King’s uncle, the Duke of Cumberland, was eager to put the King’s cheetah through its paces and so arranged a demonstration in Windsor Great Park, where George Stubbs was present to capture the occasion on canvas.

A stag was duly placed in an enclosure of the royal paddock while the cheetah was prepared by Pigot’s Indian servants. First, they ‘hoodwinked’ the animal by tying a red blindfold over its face, whilst one of the servants held it by a restraining sash around the hindquarters. A servant then pulled back the hood back to allow the cheetah a first sight of its quarry, whilst the other one gestured towards the stag, and the predator was unleashed. What happened next was not quite what was intended: according to the St James’s Chronicle the stag staunchly defended itself and ended up chasing the cheetah off!

The painting has been praised for its sincere rendering and lack of European condescension: in an age when foreign visitors were pictured at best as colourful exotics, at worst as sinister or ridiculous caricatures, Stubbs endowed the servants with a grace and authenticity equal to the magnificent creature they were caring for.

Postscript Cheetahs are no longer to be found wild in the Indian sub-continent: the last three individuals were reportedly shot in 1947 by the Maharajah of Surguja.

Cheetah and Stag with Two Indians
George Stubbs, self-portrait

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