Ilya Repin’s Barge-haulers on the Volga (Volga Boatmen) (1873)

Just as in France where paint­ing and sculp­ture were con­trolled and influ­enced by the Salon, in 19th cen­tu­ry Rus­sia, the equiv­a­lent was the Impe­r­i­al Acad­e­my of Arts in St. Peters­burg. And just as in France, where the Impres­sion­ists rebelled against the con­ser­vatism of the Salon, in Rus­sia a group of artists who became known as the Pered­vizh­ni­ki (Itin­er­ants or Wan­der­ers) rebelled against the Academy’s clas­si­cal ten­den­cies. Instead of the mytho­log­i­cal theme pro­posed for the annu­al paint­ing com­pe­ti­tion in 1863 (“The entrance of Odin into Val­hal­la”), the Pered­vizh­ni­ki were far more inter­est­ed in explor­ing themes of real life in Rus­sia: the Russ­ian peas­antry, the Russ­ian land­scape, the Russ­ian cler­gy. Thus, the Itin­er­ants broke away, cre­at­ed their own group, and paint­ed as they pleased.

A lead­ing mem­ber of the Pered­vizh­ni­ki was Ilya Repin (1844–1930), and here we look at his sub­lime mas­ter­piece, the Vol­ga Boat­men. Repin takes the phys­i­cal labour and fatigue of the com­mon man as his sub­ject, and it’s hard to imag­ine a more phys­i­cal­ly demand­ing and oppres­sive labour than that car­ried out by burlaks, the men (and women) who hauled barges along the riv­er Vol­ga.

The eleven fig­ures in the group have been called metaphors for Rus­sia itself, and there is alle­go­ry aplen­ty for art schol­ars, but the piece is pow­er­ful enough on a straight­for­ward read­ing: Life for the down­trod­den is tough; and there is no hope…

…or is there? In the mid­dle of the dark and beat­en-down fig­ures of the haulers, a young man has lift­ed his head and is star­ing off out of the pic­ture. His is the only vis­age to be illu­mi­nat­ed. The mean­ing is clear: he is rais­ing his head in an act of defi­ance, a sym­bol of hope and the promise of a bet­ter future.  With the ben­e­fit of hind­sight it might even be seen as a fore­shad­ow­ing of the Rev­o­lu­tion that would free the pro­le­tari­at near­ly fifty years lat­er.

For a lit­tle extra atmos­phere, how about lis­ten­ing to this 1936 record­ing of Russ­ian opera singer Feodor Chali­apin singing the dirgy folk song, Song of the Vol­ga Boat­men?

Repin, Self-por­trait

2 thoughts on “Ilya Repin’s Barge-haulers on the Volga (Volga Boatmen) (1873)”

  1. Anoth­er inter­est­ing piece of music. On a lighter note I think that it must have been the inspi­ra­tion behind the ice cut­ters song at the start of Frozen, they have a sim­i­lar rhythm and sense of heavy work along with the qual­i­ty of the singing .

    1. Ah yes, the music is a clas­sic “work song”, like the sea shanties, cow­boy songs, and the slave songs of the Mis­sis­sip­pi Delta. To be hon­est, the Song of the Boat­men is too much of a dirge to lis­ten all the way through, isn’t it, but it cer­tain­ly fits the art!

Leave a Reply

Your email address will not be published. Required fields are marked *