Robert Zemeckis’s Back To The Future (1985)

Remem­ber the times when a sum­mer block­buster could just be unashamed fun? In 1985 we got just that with the release of Robert Zemickis’s time-trav­el­ling mas­ter­piece, Back To The Future. It’s about fate, des­tiny, love, brav­ery, rock ‘n’ roll, the past, present, and future, and all the philo­soph­i­cal conun­drums the lat­ter entails. Heavy on action, com­e­dy and a myr­i­ad clas­sic mem­o­rable scenes, the film deliv­ers great sci-fi, adven­ture, romance, and sub­lime humour, all rolled into one. You all know it, unless you’re from anoth­er plan­et (and even then, hav­ing lived under a rock): Michael J Fox’s Mar­ty McFly is cat­a­pult­ed thir­ty years back to 1955, thanks to Christo­pher Lloyd’s Emmett “Doc” Brown’s time-trav­el­ling DeLore­an car retro­fit­ted with a flux capac­i­tor, and, well you know the rest…

The nov­el­ist L P Hart­ley (not to be con­fused with J R Hart­ley the ama­teur fly-fish­er­man) once said: “The past is a for­eign coun­try, they do things dif­fer­ent­ly there”. And indeed in Back To The Future, the numer­ous and fun­da­men­tal ways in which the 1950s dif­fered from the 1980s are explored to won­der­ful­ly com­ic and chaot­ic effect when Mar­ty embarks on his great adven­ture.

A big part of the fun of watch­ing Back to the Future is how much the first act of the movie informs the sec­ond. Prac­ti­cal­ly every line of dia­logue and char­ac­ter inter­ac­tion from the 1980s has its 1950s coun­ter­part, and usu­al­ly as the set-up for a smart joke. Zemick­is and his writ­ing part­ner Bob Gale also have fun in sub­vert­ing any rose-tint­ed view of the past we might have had. Their fifties may have looked like Hap­py Days but it’s far from being depict­ed as a gold­en age.

Marty’s moth­er Lor­raine tells her daugh­ter: “I think it’s ter­ri­ble! Girls chas­ing boys. When I was your age I nev­er chased a boy or called a boy or sat in a parked car with a boy.” Of course, as the movie pro­gress­es we come to realise that this is all fic­tion and the teenage (and boy-crazy) Lor­raine is clear­ly up for all those things and more: she is nei­ther Doris Day nor Joanie Cun­ning­ham. And as for the boys, well, Biff and his socio­path­ic friends are hard­ly bea­cons of respectabil­i­ty, are they? No won­der Lor­raine falls for Mar­ty and his before-his-time, un-tox­ic mas­culin­i­ty.

Any­way, here’s the trail­er that must have whet­ted many an appetite (despite the naff voiceover) when it came out and makes me want to watch the film again now!

Mar­ty McFly and Emmett “Doc” Brown

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