Tag Archives: Shepherd's Calendar

John Clare’s The Shepherd’s Calendar (1827)

Not every­one is an expert in Roman­tic poet­ry (and nei­ther am I, though I con­cede I’m no slouch) but if I were to ask you to name “the big six” poets of the Roman­tic era (late 18th to mid-19th cen­tu­ry), I bet you’d stand a fight­ing chance because they almost fall off the tongue: Wordsworth, Coleridge, Byron, Blake, Shel­ley, and Keats, right? There’s anoth­er poet from the era, how­ev­er, who nev­er rose to the majesty of the afore­men­tioned giants, but who nonethe­less is now regard­ed as a major tal­ent: the “Northamp­ton­shire Peas­ant Poet”, John Clare.

Unlike some of his con­tem­po­raries, John Clare didn’t have the where­with­al to lounge about on the Span­ish Steps in Rome (Keats), swim the Helle­spont (Byron), or swap ghost sto­ries around the fire at a vil­la by Lake Gene­va (Shelley…oh, and Byron again), because he spent his life as an agri­cul­tur­al labour­er, pot­boy, and gar­den­er, and nev­er left the coun­try.

Born in Help­ston in Northamp­ton­shire in 1793, John worked as a farm labour­er with his father from being a young boy onwards. The farm and the nature per­me­at­ing his sur­round­ings pro­vid­ed his inspi­ra­tions; this was where he found his voice and began writ­ing poems and son­nets. In an attempt to stave off his par­ents’ evic­tion from their home, John offered his poems to a local book­seller, who in turn sent them off to the pub­lish­ing firm who had already pub­lished the works of one John Keats. The rur­al aes­thet­ic appealed and thus, these suc­cess­ful col­lec­tions of poems were spawned: Poems Descrip­tive of Rur­al Life and Scenery, The Vil­lage Min­strel and Oth­er Poems, The Rur­al Muse, and the col­lec­tion I own: The Shepherd’s Cal­en­dar.

Whilst Clare’s ear­li­er poems speak of the har­mo­ny and beau­ty of nature in the Eng­lish coun­try­side, his lat­er work bemoans the great changes to the envi­ron­ment and soci­ety brought about by the Enclo­sure Acts. These wiped out a whole way of life by abol­ish­ing the open field sys­tem of agri­cul­ture which had been the way peo­ple farmed in Eng­land for cen­turies. The own­er­ship of the com­mon land was tak­en from them and the coun­try­side was dec­i­mat­ed as new­ly-unem­ployed coun­try folk flowed into the towns to par­tic­i­pate in the Indus­tri­al Rev­o­lu­tion.

The hurt was deep, and in fact Clare found it increas­ing­ly dif­fi­cult to cope with life, and he sad­ly descend­ed into depres­sion and men­tal ill­ness, even­tu­al­ly spend­ing many years in an asy­lum. Whilst there he wrote the poem I Am! which is a win­dow into his men­tal strug­gles and a stark con­trast to his hard-work­ing but hap­py hey­day. Here’s a poem from the lat­ter peri­od, Spring, with I Am! fol­low­ing…

Spring

Come, gen­tle Spring, and show thy var­ied greens
In woods, and fields, and mead­ows, by clear brooks;
Come, gen­tle Spring, and bring thy sweet­est scenes,
Where peace, with soli­tude, the loveli­est looks;
Where the blue uncloud­ed sky
Spreads the sweet­est canopy,
And Study wis­er grows with­out her books.

Come hith­er, gen­tle May, and with thee bring
Flow­ers of all colours, and the wild bri­ar rose;
Come in wind-float­ing drap­ery, and bring
Fra­grance and bloom, that Nature’s love bestows–
Mead­ow pinks and columbines,
Keck­sies white and eglan­tines,
And music of the bee that seeks the rose.

Come, gen­tle Spring, and bring thy choic­est looks,
Thy bosom graced with flow­ers, thy face with smiles;
Come, gen­tle Spring, and trace thy wan­der­ing brooks,
Through mead­ow gates, o’er foot­path crooked stiles;
Come in thy proud and best array,
April dews and flow­ers of May,
And singing birds that come where heav­en smiles.

I Am!

I am—yet what I am none cares or knows;
My friends for­sake me like a mem­o­ry lost:
I am the self-con­sumer of my woes—
They rise and van­ish in obliv­i­ous host,
Like shad­ows in love’s fren­zied sti­fled throes
And yet I am, and live—like vapours tossed

Into the noth­ing­ness of scorn and noise,
Into the liv­ing sea of wak­ing dreams,
Where there is nei­ther sense of life or joys,
But the vast ship­wreck of my life’s esteems;
Even the dear­est that I loved the best
Are strange—nay, rather, stranger than the rest.

I long for scenes where man hath nev­er trod
A place where woman nev­er smiled or wept
There to abide with my Cre­ator, God,
And sleep as I in child­hood sweet­ly slept,
Untrou­bling and untrou­bled where I lie
The grass below—above the vault­ed sky.

John Clare