Tag Archives: T S Eliot

T S Eliot’s Macavity The Mystery Cat (1939)

Thomas Stearns (T S) Eliot (1888–1965) was a giant lit­er­ary fig­ure: one of the major poets of the 20th cen­tu­ry, as well as essay­ist, pub­lish­er, play­wright, and lit­er­ary crit­ic. He was born in St Louis, Mis­souri into a promi­nent Boston Brah­min fam­i­ly, but moved to Eng­land at the age of 25 and set­tled and mar­ried here, becom­ing a British sub­ject in 1927.

With­in a year of arriv­ing in Britain, Eliot had pub­lished his first major poem, The Love Song of J. Alfred Prufrock (1915), which came to be regard­ed as a mas­ter­piece of the Mod­ernist move­ment, and he fol­lowed that up with some of the best-known poems in the Eng­lish lan­guage, includ­ing The Waste Land (1922), The Hol­low Men (1925), Ash Wednes­day (1930), and Four Quar­tets (1943).

Eliot also had his whim­si­cal side, how­ev­er, and in 1939 pub­lished Old Possum’s Book of Prac­ti­cal Cats. This was a series of light poems about cats and their traits which he’d writ­ten through­out the thir­ties in let­ters to his god­chil­dren (“Old Pos­sum” was fel­low poet Ezra Pound’s nick­name for him). The best-known poem from that col­lec­tion, Macav­i­ty the Mys­tery Cat, is the one that arrest­ed my atten­tion the moment I read it (or heard it recit­ed) when I was a lad (it may well have been the only poem from the Book of Prac­ti­cal Cats that I read or heard recit­ed, giv­en that it was the “stand out” that pri­ma­ry school teach­ers reg­u­lar­ly latched onto).

Eliot was a big fan of Arthur Conan Doyle’s Sher­lock Holmes sto­ries and the char­ac­ter of Macav­i­ty is a lit­er­ary allu­sion to Mori­ar­ty, the arch-vil­lain and mas­ter­mind of those sto­ries (Holmes dubs Mori­ar­ty the “Napoleon of crime”, which is how Macav­i­ty is described in the last line of the poem). I loved that repeat­ing final line: “Macavity’s not there!”. It con­jures up the trope of the mas­ter jew­el thief or gen­tle­man spy, always one step ahead of the Law, always out­wit­ting his pur­suers. You can imag­ine the non­cha­lance.

But of course in real­i­ty it’s a cat, so it’s the spilled milk, the feath­ers on the lawn, the crash of a dust­bin lid, the scratch on the sofa…and of course he’s nev­er there. The lit­tle dev­il’s scarpered!

Here’s a record­ing of the man him­self recit­ing the poem:

Macav­i­ty’s a Mys­tery Cat: he’s called the Hid­den Paw—
For he’s the mas­ter crim­i­nal who can defy the Law.
He’s the baf­fle­ment of Scot­land Yard, the Fly­ing Squad’s despair:
For when they reach the scene of crime—Macavity’s not there!

Macav­i­ty, Macav­i­ty, there’s no one like Macav­i­ty,
He’s bro­ken every human law, he breaks the law of grav­i­ty.
His pow­ers of lev­i­ta­tion would make a fakir stare,
And when you reach the scene of crime—Macavity’s not there!
You may seek him in the base­ment, you may look up in the air—
But I tell you once and once again, Macav­i­ty’s not there!

Macav­i­ty’s a gin­ger cat, he’s very tall and thin;
You would know him if you saw him, for his eyes are sunken in.
His brow is deeply lined with thought, his head is high­ly domed;
His coat is dusty from neglect, his whiskers are uncombed.
He sways his head from side to side, with move­ments like a snake;
And when you think he’s half asleep, he’s always wide awake.

Macav­i­ty, Macav­i­ty, there’s no one like Macav­i­ty,
For he’s a fiend in feline shape, a mon­ster of deprav­i­ty.
You may meet him in a by-street, you may see him in the square—
But when a crime’s dis­cov­ered, then Macav­i­ty’s not there!

He’s out­ward­ly respectable. (They say he cheats at cards.)
And his foot­prints are not found in any file of Scot­land Yard’s
And when the larder’s loot­ed, or the jew­el-case is rifled,
Or when the milk is miss­ing, or anoth­er Peke’s been sti­fled,
Or the green­house glass is bro­ken, and the trel­lis past repair
Ay, there’s the won­der of the thing! Macav­i­ty’s not there!

And when the For­eign Office find a Treaty’s gone astray,
Or the Admi­ral­ty lose some plans and draw­ings by the way,
There may be a scrap of paper in the hall or on the stair—
But it’s use­less to investigate—Macavity’s not there!
And when the loss has been dis­closed, the Secret Ser­vice say:
It must have been Macavity!’—but he’s a mile away.
You’ll be sure to find him rest­ing, or a‑licking of his thumb;
Or engaged in doing com­pli­cat­ed long divi­sion sums.

Macav­i­ty, Macav­i­ty, there’s no one like Macav­i­ty,
There nev­er was a Cat of such deceit­ful­ness and suavi­ty.
He always has an ali­bi, and one or two to spare:
At what­ev­er time the deed took place: MACAVITY WASN’T THERE !
And they say that all the Cats whose wicked deeds are wide­ly known
(I might men­tion Mungo­jer­rie, I might men­tion Grid­dle­bone)
Are noth­ing more than agents for the Cat who all the time
Just con­trols their oper­a­tions: the Napoleon of Crime!

2nd June 1951: Amer­i­can-Eng­lish poet and play­wright, TS Eliot (1888 — 1965). He wrote amongst many oth­er things, ‘The Waste Land ’ and the plays, ‘The Cock­tail Par­ty’ and ‘Mur­der in the Cathe­dral’. Orig­i­nal Pub­li­ca­tion: Pic­ture Post — 5314 — Are Poets Real­ly Nec­es­sary? — pub. 1951 (Pho­to by George Douglas/Picture Post/Getty Images)