The Animals’ The House Of The Rising Sun (1964)

If you’re a music his­to­ry enthu­si­ast, hours of fun can be had perus­ing the Roud Folk Song Index (https://archives.vwml.org/search/roud), the online data­base of around a quar­ter of a mil­lion ref­er­ences to near­ly 25,000 songs col­lect­ed from oral tra­di­tion in the Eng­lish lan­guage from all over the world, and named after its com­pil­er Steve Roud. It cor­re­lates ver­sions of tra­di­tion­al folk song lyrics inde­pen­dent­ly doc­u­ment­ed over past cen­turies by many dif­fer­ent col­lec­tors across the UK and North Amer­i­ca. Take Roud num­ber 6393, for instance: The House of the Ris­ing Sun.

Although wide­ly known from the most suc­cess­ful con­tem­po­rary ver­sion, record­ed by the Ani­mals in 1964, The House of the Ris­ing Sun is a tra­di­tion­al folk song with deep roots: it was first col­lect­ed in Appalachia in the 1930s, but prob­a­bly goes back much fur­ther, ema­nat­ing from the tra­di­tion of so-called “broad­side bal­lads”. A “broad­side” was a sheet of cheap paper used between the six­teenth and nine­teenth cen­turies to dis­trib­ute news and so on, but also, most pop­u­lar­ly, bal­lads. “Bal­lads” were nar­ra­tive rhymes and songs devel­op­ing from the min­strel­sy of the ear­li­er four­teenth and fif­teenth cen­turies, and which told folk sto­ries on every top­ic under the sun, from leg­ends and heroes and reli­gion to the more pro­sa­ic side of life.

The House of the Ris­ing Sun bal­lad tells of a per­son­’s life gone wrong in the city of New Orleans, and is a clas­sic cau­tion­ary tale, appeal­ing to his lis­ten­ers to avoid the same fate:

There is a house in New Orleans
They call the Ris­ing Sun
And it’s been the ruin of many a poor boy
And God, I know I’m one

Folk song col­lec­tor Alan Lomax not­ed that “Ris­ing Sun” was the name of a bawdy house in at least two tra­di­tion­al Eng­lish songs, and a name for Eng­lish pubs (Leeds dwellers may be famil­iar with the one on Kirk­stall Road, albeit now sad­ly dis­used). He hypoth­e­sised that the loca­tion of the said drink­ing hole-cum-broth­el was then sim­ply relo­cat­ed from Eng­land to the US by roam­ing per­form­ers. In 1953, Lomax met Har­ry Cox, an Eng­lish farm labour­er known for his impres­sive folk song reper­toire, who knew a song called She was a Rum One (Roud 2128) with two pos­si­ble open­ing vers­es, one begin­ning:

If you go to Low­est­oft, and ask for The Ris­ing Sun,
There you’ll find two old whores and my old woman is one.

The old­est known record­ing of the song, under the title Ris­ing Sun Blues, is by Appalachi­an artists Tom Ash­ley and Gwen Fos­ter, who record­ed it in 1933. Ash­ley said he had learned it from his grand­fa­ther who had got mar­ried around the time of the Civ­il War, sug­gest­ing that the song was writ­ten years before the turn of the cen­tu­ry.

In 1941, Woody Guthrie record­ed a ver­sion; Lead Bel­ly record­ed two ver­sions in the for­ties; Joan Baez record­ed it in 1960 on her epony­mous debut album; Nina Simone record­ed a ver­sion for the live album Nina at the Vil­lage Gate in 1962; and Bob Dylan record­ed the song for his debut album, released in March 1962. But it was the Ani­mals, Newcastle’s own blues-rock band made up of Eric Bur­don, Alan Price, Chas Chan­dler, Hilton Valen­tine and John Steel, who scored a transat­lantic num­ber one hit sin­gle with it in 1964 and made it their sig­na­ture tune.

The Ani­mals, The House of the Ris­ing Sun

 

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